Let the film develop slowly and let the story wake up.
Film Laboratory
It is an honor for people to be willing to entrust their negatives to us with confidence. It is because of this trust and persistence that we are able to continue this craftsmanship, allowing more people to experience the charm of film firsthand, and allowing the warmth of images to continue to be seen by future generations.
A Li
Nearly 60 years of craftsmanship inheritance
With over half a century of experience in film development, Ah Li Shi is currently the only Chinese-born national film development expert. His understanding of film transcends technology itself, becoming more of an art form, a dialogue with light and shadow.
Through Master A-Li's hands, images are able to display rich layers of color and present the light gradation details within the film's width in a clear, almost three-dimensional manner, reaching the highest standards of contemporary film aesthetics.
Our Scanning Philosophy
We chose the LaserGraphics Director 10K – a top-of-the-line film scanner used by many international film restoration facilities.
It performs RGB and infrared scanning frame by frame, capturing every particle and color in detail, fully presenting the unique light and shadow layers and dynamic range of the film.
For us, this is not just about digitizing images, but a process of concretizing light and shadow, so that the texture and emotion of the work can be presented in detail.
Even after many years, you can still feel the breath and warmth of the moment when the photo was taken.
LASERGRAPHICS
Same film scanner as NASA
Participated Works
Printing film negatives is not just a technical process, but also a ritual of dialogue with time.
Each frame slowly emerges, and particles, colors, and a sense of movement all come to life.
When the finished product is handed back to you, it is not just the developed film.
Instead, it completely preserves the "first original material" of the light, shadow and emotional flow at that time.
